Shakespeare's Romance of the Word, Volume 10This work is a critical study of Pericles, Cymbeline, The Winter's Tale, and The Tempest, with a focus on Shakespeare's exploration of language in its destructive potentialities and its redemptive workings. |
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Alonso Antiochus's Antonio appears Ariel Arviragus Arviragus's beauty becomes Belarius's believes Caliban Camillo Ceres characters Cleon comic context courtiers creates critical Cymbeline dance daughter Discourse divine dramatic ears effect Elizabethan evil experience expression eyes faith Ferdinand Florizel flowers Gonzalo Guiderius hear Hermione Hermione's Iachimo idea imagination Imogen interpretation jesting Jonah Jupiter's King King's knowledge language last plays last romances Leontes linguistic London Lysimachus Marina Masque meaning Metadrama metaphor mind Miranda moral nature Northrop Frye passion pastoral Paulina's Perdita Pericles perspective play's poetry Polixenes Posthumus Posthumus's Prince Prince of Tyre Prospero Queen redemptive Renaissance reprint reveals riddle role Sapir-Whorf hypothesis scene Sebastian Shake Shakespeare Quarterly Shakespeare Studies Shakespeare's last Shakespeare's Romance shapes slander speak speaker speare's speech acts spirit Stephano Stephen Orgel Sycorax symbolic tells Tempest Thaisa thee thou tion Trinculo truth understanding University Press utterance verbal viewer virtue vision Winter's Tale word's words