Necklines: The Art of Jacques-Louis David After the TerrorThis book examines the crucial period in the painter's career as he struggled to save his neck and recast his identity in the aftermath of the Reign of Terror. Burcharth assesses his works in the context of the larger cultural and social formations emerging in France concluding with an interpretation of the unfinished portrait of Juliette Recamier. |
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Necklines: the art of Jacques-Louis David after the Terror
User Review - Not Available - Book VerdictFocusing on the period after the fall of Robespierre, Lajer-Burcharth (humanities, Harvard) reframes David's art in relation to gender tensions within French society at the time and within the artist ... Read full review
Contents
The Shadow of the Guillotine | 8 |
CHAPTER | 71 |
CHAPTER THREE | 130 |
CHAPTER FOUR | 236 |
Notes | 307 |
355 | |
374 | |
Common terms and phrases
aesthetic appearance articulation artist body called canvas collective construction Convention corporeal critical cultural David defined deputies desire dimension Directoire Directorial discourse discussion drawing dress earlier effect emerged engraving evidence example exhibition fashion female feminine figure formation French function gaze gender hand Homer idea ideal identification identity imaginary important individual institutional Jacobin kind language late look loss Louvre male male body Marat masculine meaning medallion mirror Mme Récamier mode Musée nationale notion object offered once painter painting Paris political portrait pose position post-Thermidorian practice prison produced Psyche recognize reference relation represent representation republican Revolution revolutionary Robespierre Sabines Salon sans-culottes seems seen sense sexual situation social space speak specific status structure studio suggests symbolic Terror Thermidor tion turned University Press vision visual woman women
Popular passages
Page 363 - Rapports et discussions de toutes les classes de l'Institut de France sur les ouvrages admis au concours pour les prix décennaux. Paris, novembre 1810.